#they have the best arc of all the books dare I say

[koldefingre]

They are so not father son in the way that they so are father son. Yk?

[absolutebl]

This Week in BL - Boyfriend Era is a Go

Organized, in each category, with ones I'm enjoying most at the top.

NOV 2024 Week 2

Ongoing Series - Thai

Jack & Joker (Thai Mon IQIYI) ep 9 of 12 - I have to say it, the heist stuff is stupid and all the sidekicks are idiots to the point of annoyance. But Yin and War are truly stellar at these parts. And in general in these roles. Can’t knock 'em. It’s been a year of some very good kisses and this has to have been the best. So this show is top of the standings this week for that kiss alone. Like srs boys? I mean to say, BOYS! How dare. Breaking the internet like that.

Honestly, let's be clear, these two have had killer chemistry since the En of Love and we all expected great things. And now, here we sit, suffering great things from these kings. Thank you, Sirs, may we have another?

Love Sick 2024 (Thai Sun iQIYI) ep 8 of 15 - I'm chronicling my experience with 2024 as compared to 2014 here. The Per Win story arc never interested me in 2014 and I’m not enjoying it now either. But Mick and Ohm are better in 2024. Nong Mick is a standout character, and a brilliant glow up in this version and he’s a confident little shit (affectionate). The mains are good too, but Phun and Noh always were great characters, and these actors are quite good. Possibly better than the original. 

Kidnap (Fri YT) ep 10 of 12 - More bf era delightful diabetes. They are the best boyfriends and the cutest family in the entire world. No exceptions. Next week is definitely doom tho. 

Every You Every Me (Thai Mon Gaga) ep 5 of 10 - Talk about making consent and communication sexy! *fans self* Whoah! That was unexpectedly great. The blatancy of the lust in this one was fun too. And the general casual switch nature of the relationship = delightful.

I like the little acting course we're getting from these tw. They are both quite good. I’m not sure I really enjoy the stories that they’re telling, but I do like how they are telling them.

Fourever You (Thai Thurs YT) ep 6 of 16 - Hill is the premier torch carrier of this year. My goodness. He sure nursed that crush. While I really like this main couple, I’m happy to have some of the others start to creep into the narrative at this juncture. Alone HillTer are a bit intentionally miscommunicative and saccharine. But the screen-time distribution amongst couples seems a little strange. That said, couple 2? No thank you. I really don't like North as a character at all. I find him incredibly unappealing. Ordinarily I'd be on his side because....... blackmail trope renders Johan automatically a complete arse. But at least this is 2 unlikable characters being jerks to each other?

Perfect 10 Liners (Thai Sun YouTube?) ep 2 of 24 - Say it with me Thailand: negging is NOT romantic. Frankly, Arc is just an asshole and a bully with anger issues. But���… Yay cute sides! PondSand they funny. (Book, to me = never very funny. I don’t think comedy is his bailiwick. Look, comedy is HARD ya’ll and usually not in that way.) 

Ongoing Series - Not Thai

Our Youth AKA Miseinen: Mijukuna Oretachi wa Bukiyo ni Shinkochu (Japan Tues Gaga) ep 1 of 11 - They’re doing some interesting stuff with the framing (both filming style and narrative) that makes this extremely old-fashioned feeling (like Takumi-kun level). I keep saying that this year, but it feels like BL is doing a lot of rediscovering its roots right now. This one even had a goldfish. And abuse. (The two, oddly, often go hand-in-hand in JBL ) And overall...... it’s a bit weird. Which I don’t mind from Japan. Japanese BL can get weird in a good way. Oh I like it. Bully meats smart loaner, total opposites attract, both are lonely and broken and NEED each other, and all that.

See Your Love (Taiwan Weds Gaga) ep 4 of 13 - Oh dear, our poor little rich boy is very broken indeed. The sides are utterly ridiculous.

My Damn Business (Korea Sat YT) eps 6 of 7 - I don’t normally like a love triangle, but I kind of like this one since it gave our uke a bit more depth and agency. And charm, quite frankly. So far he’s been a very dower character.

Eccentric Romance (Korea Weds Viki) eps 9-10 of 12 - Okay boyfriend era is a go. Goodness but they sure are adorable. 

Teenager Judge (Vietnam Sat YT) ep 7 of ? - The slow burn is really very slow. To the point of frustration. But I'm still enjoying the show, just not as much as I was.

Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan Tues Netflix?) 8 of 10 eps - Even Japan is going through a bf era rn I see. How unusual.

Love in the Air: Koi no Yokan (Japan Sat Gaga) ep 2 of 10 - I’m slightly less annoyed by this one than the original (but I was VERY annoyed by that). I think mame is being tempered by a few things:

There’s so much less time spent on the back-and-forth, because this is a much shorter show, so I have less time to be frustrated by it and the utter uselessness of 75% of these characters.

Also, there's that innate Japanese awkwardness of portrayal & social interaction, which makes the unpleasantness of the characters' behavior and touch more understandable.

This, in turn, is married to the natural kink factor of JBL.

There’s a clearer Dom sub from the get go with this version, makes the blackmailing a little bit more tolerable because it's clearly Play. (negotiated or not) Simply put, daddy wants his brat to beg. And honestly? So say we all.

On a completely different note, the wardrobe for this show is terrible. Like truly bad BAD.

Blue Canvas of Youthful Days (China Sun iQIYI) eps 3-4 - Well I guess that’s that disability dealt with. Meanwhile, competitive bullying art students? I am very amused. Zoo date was cute. This is unquestionably a BL (I’m even more scared now). Still, the gay boys dealing with the straight dude’s crush was truly hilarious. So much "our gay drama doesn’t have time for your het bullshit." Classy move, I smell some Taiwan in this show.

Let Free the Curse of Taekwondo (Korea Thurs Gaga) eps 4-8 end - I was reliably informed this has an HFN end so I decided to watch. Noble and self sacrificing with both of them taking the blame.

My thoughts are...... mixed.

High school student Do Hoe lives with his brutal father who runs a Taekwondo gym. When cheerful Ju Young arrives to train, they fall in love. An unexpected incident forces them apart, they reunite over a decade years later. Essentially this is a brilliant narrative about finding love at the worst possible time, surviving chronic abuse, and the way we process mental, emotional, and physical trauma overtime. Yes it’s also a romance, but that’s not primarily what this story is actually about. I can recognize its genius, but this type of narrative is not for me. I’m reminded of bittersweet painful shows like To My Star 2, or The On1y One, or even Not Me. Is this BL tangential or is it some other genre entirely? Am I questioning my own taste because I did not like its content, or because I do not like its genre? And if it’s not BL should I even render judgment? I think I have to lean into the way I approached some of those other shows, which is to say: it is not for me but I recognize that it is of an extremely high-quality that is certainly for someone else.

Recommended, but only if you like masochistic cinema. Under those circumstances 9/10

(but know that if i were rating for my personal taste? 7/10 I’m never re-watching this, and there is a small part of me that wishes I never had) 

It's airing but......

Love for Loves Sake got some kind of special supposed to air 11/9. Not sure what, why, or where. Only the rumor that it...... is. I'll believe it when I see it...... literally.

The Hidden Moon (Sat WeTV) 10 eps - I've been reliably told not to bother, so I won't.

Bad Guy My Boss (Thai Sun Gaga) 10 eps - I DNF'd at ep 7, I couldn't make it. I am weak. Life is hard enough right now, this show is making it harder. It’s not what I want from my entertainment.

Bad to Bed (Taiwan Sat YouTube) 10 eps - This is a little too low production value even for me. And just very very odd. DNF

In case you missed it

Uncle Unknown finished its run on YT. Censored Chinese BL with paralytically bad production levels. But certainly BL. Boys reunite after a break up only to discover one of them is the step-Uncle of the other. Much to my own shock and surprise I watched all 12 episodes of this. Fortunately, each episode is about 5 minutes long. Under those circumstances is it worth it? Maybe. It’s bad. But not offensive. So that's a win. And you know me, I love a weird take on the stepbrother’s trope and incest taboos. 5/20 watch it only if you have nothing better to do

Next Week Looks Like This:

Gosh there's a lot on right now.

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

November BL:

11/15 Caged Again (Thai Fri Gaga) 10 eps - Penguin escapes zoo by turning into a human. Gets trapped again and a panther falls in love with him.

11/17 Your Sky (Thai Sun iQIYI) 12 eps - A naive freshman and the campus’s popular senior agree to pretend to be a couple - but their fake deal begins to generate real feelings.

11/20 Winter Is Not The Death of Summer (Thai Weds YT) ?? eps - Criminals who meet in prison fall in love

11/20 The Heart Killers (Thai Weds YT iQIYI) 12 eps - Jojo directs FirstKhao & JoongDunk in an action romcom about assassin brothers (Khao & Joong) who meet a tattoo artist ex-booster (First) and a mechanic (Dunk). I'm highly amused that Joong plays the older brother to Khao and that we have a take on the Taming of the ShrewBL. I like that everyone is morally gray. This has all GMMTV's best chemistry in one BL and some fresh concepts that I've only seen tackled in m/m romance novels (check out Amy Lane's Racing for the Sun, thank me later). I'm excited. My only quibble is Jojo, I like his style but his characters can get unreliably messy so…... this gonna be interesting.

THIS WEEK’S BEST MOMENTS

The insane level of his babygirl heart eyes.

Just, have mercy.

(last week)

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

[lxvebun]

I'll wait forever if I have to

synopsis:you're worried Satoru's teasing has gone a bit too far. There's nothing wrong with saving your first kiss for someone special, right?

content: Suguru Geto x gender neutral reader. Fluff! Comes off a lil angsty in the beginning but its fluffy and sickeningly sweet. Around 1k words. Written with hidden inventory arc in mind so you'd be in the same grade together, but read it however you want♡.We are all a little lovesick for Suguru and he's a lil lovesick for you♡ eng is not my first language so i'm sorry for any mistakes♡ enjoy!!

Based on Satoru's version of the fic♡

"Does it bother you that Satoru teases you so much?" The question breaks the comfortable silence you had as he walked you home. Sky fading from pink and orange cotton candy clouds to a clear and deep navy gradient canvas clustered with stars and moonlight.

Suguru is Gojo's bestfriend. You're sure he's used to his antics. Still, Satoru can take it a little far sometimes. Being oblivious to or ignoring the line completely. Crossing over it with a skip in his step and a smirk on his face.

"There's nothing wrong with waiting for the right person, you know." You reassure. Perhaps a little to yourself too. You'd wait forever for him, not that he knows.

(You kinda wish he did.)

You keep your voice soft, and soothing even with the unintentional undertone of worry. But Soothing enough to dulcify if Satoru's teasing did leave some cracks in his heart.

He lets out a low amused hum in agreement. Smooth as warm honey. Its drum startling the butterflies between your ribs awake. Not that he has to do much anyway to awaken them. It seems like they are always fluttering around when he's near. A bit smothering at times. Making your head fog over with images of liquid golden eyes and sickeningly sweet smiles.

You reach the traffic light before he speaks again. Filling the silence of waiting until the red light turns green.

"You don't have to worry about that, y/n. It's not hurting my feelings. I'm more than content to wait for my person" he answers sincerely. Not an ounce of impatience dripped from his voice. He means every word.

My person. his words weigh a little heavy on your heart. My person. Does that mean he already has his eyes set on someone? You're pretty sure a few of the butterflies have lost it's wings. Wings Shriveled and shattered at the thought. Broken bodies wriggling uncomfortably in your gut. Anxious and mourning as you think over who it could be. Would it be different if you'd just confessed already? Did you miss your chance or was there never any to begin with?

(The thought of him making someone else's heart race the way he does yours makes you a little sick)

You don't look at him. He's always been good at reading you, so in tune with your well being. You're an open book to him and usually, you're more than happy to let his fingers glide over the pages. Break you open to study you up close. Hoping that one of the words, one of the chapters in there is enough to lure him in, like a sirens song. Enough to steal his heart ...damn, how dare he fall for someone else.

"Sounds like you already have someone in mind, then". It comes out forced as you swallow down what you really want to say. Unable to decide between cursing him out or confessing to him on the spot.

You keep your gaze at the light ahead as if the force of it can will it into turning from this horrible shade of red to green, so this conversation can be over. So you can continue to walk in silence, so he can drop you off at the front door, wait until he hears the lock click from inside as he always does and you can dive into the comfort of your bed, dream of what could have been and try your best to move on

(You don't think you can if you're honest)

But again, you're an open book to him. He almost looks proud as he glances you over. Standing up a little straighter, failing to suppress a smile. A horribly beautiful smile that does not at all fit the turmoil inside your head. As if you're reaction solidified something in him.

God, how long does it take for a light to switch?

Your gaze doesn't falter as he steps closer to you. His warmth, his cologne enveloping your senses, wrapping around you like a spiderweb. Fitting as you feel like your heart is going to be torn out at any moment. Waiting for the words that will fracture your hopes. you think of just booking it through the red right at this point and leave him to choke on his rejection.

"Will you look at me, please"

He's replicating the soothing tone you used on him. Only he's so much better at it. Smooth like warm butter and sweet as syrup. How could you possibly deny him when he sounds this heavenly.

He's a patient man, he is. But he doesn't want to hurt you. Doesn't want you to shatter your own heart even more by thinking he could ever love someone the way that he loves you. As if he could ever want anyone else when it's always going to be you that captured his heart.

His fingers slide under your jaw, grip delicate as can be as he turns your head to meet his eyes. You're a little embarrassed at the lack of resistance on your part.

His face is kind. And despite your hesitance, his eyes are easy to hold. Feeling like sunsets on a warm summer evening.

"I'm just waiting for you to be ready too. However long it takes."

A timer goes off. The light has finally turned green. you both stay unmoving.

You feel like you've been staring into his eyes for hours when really it's only been a few seconds of silence after his words. Then you half-heartedly push him off. A laugh bubbles up your throat, relief evident in the melodic tone.

"you're awful, you know that?" not a sliver of actual malice in your words. He knows that too. continuing to stare at you fondly, eyes soft and a little love-sick. Smiling brightly at your words as if you complimented him.

"And you're beautiful"  the timer of the traffic light is sounding quicker now, similar to the beating of your heart. Indicating that it will soon turn red again.

You have a moment of bravery. confidence, as you intertwine your fingers with his and pull him across the street before the light turns red. His grip is nice and firm, tracing heart shapes on the back of your hand with his thumb. Doodling silent I love you's into your skin.

you continue to walk to your home together. Hands now interlaced. Hearts intertwined. Crisp evening air kissing your skin and calming the heat blooming in your body.

"I don't want to have my first kiss at a traffic light. You deserve something more romantic than that too," you begin. swaying your hands back and forth. Focusing on the street infront of you. You see your front door coming into view.

"But if you feel the urge to kiss me as you drop me off at my doorstep," you see him begin to grin in the corner of your eye. It tugs at the corners of your lips too

"I'll let you"

thank you for reading, angels!! I'm havinf such Suguru brainrot atm😩🩷 he's so cute.

Also I thought his eyes were brownish/ gold because I always just imagine him with that but they are purple....🔪 YOU🫵 ARE GOING TO IGNORE THAT FOR NOW AND IMAGINE THEY ARE GOLD AS WELL. Thank you🩷

[luthordamnvers]

I still think I need to watch the entire show again, but I'm gonna try and collect some very scattered thoughts because the ~discourse is appalling, tbh.

Idk who needs to hear this, but every single marvel project has been about the widening of the marvel cinematic universe. And it's fucking insane, that people are reducing this show as "just a way to get Wiccan" when it was so much more, especially for a show that wasn't even supposed to exist. It was a show spearheaded by a showrunner who initially pitched it because she loved Agatha, and Kathryn's portrayal of Agatha. One that happens to be a woman, btw (one that happens to had been at the forefront of both Captain Marvel [Uncredited] and been responsible for the first past of Black Widow [Story by, credits]).

Don't get me wrong, the MCU certainly has misogynistic undertones, the fact that we had to wait to have a woman led movie, or a movie director, as long as we did is a travesty. That without even going into the intersectionality that we are still missing in the wider MCU. And one that's inherent in the comic book world, if we are being honest. But guess what, THIS is the type of show that changes that narrative.

The fact that wandavision is still regarded the best Marvel-Disney+ show. So good that got an spin off focused on "a nanny". Show that delivered on a show being about her, and yet not the entire story, with outstanding narrative, direction and storytelling. And some swats of fandom are diminishing it left and right. The dudebros because it was about a woman, about a middle-aged woman, about a queer middle-aged woman. And others in the fandom because it wasn't as queer as they wanted, or focused on what they wanted.

And let's be honest, I'm amazed the show was as unapologetically and canonically queer as it was. Thanks to the efforts of Jac, Kathryn and the team behind it.

Agatha is based on a character that's been around for 50 years, and has being nothing but a nanny/governess for superpowered kids because she happens to be a witch, until relatively recently. Even when we had had part of her back story for decades, she was never that important, and she isn't even evil. Dare I say, she hasn't been that relevant until her run with the Scarlet Witch, and Kathryn Hanh's interpretation of her.

Agatha All Along, is not only an spin off of Wandavision, but also part 2 of the whole story. OF COURSE, Billy would be a very important part of her story, something that was touched upon in WV, but was also part of her (and I'm using this word very loosely) redemption arc.

She shared a kinship with Billy in WV, because he was magick. She wanted to understand how he worked, because she knew what Wanda did, and she wanted Wanda's powers. The fact that she could identify Billy immediately, even when she hoped it was Nicky, was important, but people were to busy whining about Billy having an episode. One episode that was also relevant to the ending of the show. And the full arc of the saga's mythology.

Is the show perfect? Not at all. Did I enjoy the heck out of it and can appreciate what it actually did? Absolutely yes. Can I appreciate how GOOD it was at storytelling? Hell yes.

It was a show absolutely centered in women. Good women, bad women, women of color, old women, younger women. The one man was a queer, three-year old in the body of a 16 year old. And mind you, this character has been making queer history, since his very recent creation (2005). This show is unapologetically queer, we had a huge ass Trans flag that said Protect trans kid in huge black letters being very prominent in the shots. It's HUGE, and not even by marvel/disney standards. The show had nothing to do with coming out, or acceptance, or people dealing with phobia. It was about queer people existing and being queer. Hell, you could make a case that they were saying "being a witch" is an allegory of being queer.

Every single member of the coven could be queer. They hinted at it with Jen, at the very least.

Let's talk about the rest of the coven. Who for me were the absolute highlight of the show.

Alice, generational trauma, the protection witch. The most tragic to me. She saw her curse, as a lie. As something her mother made to neglect her. And yet she couldn't keep a job, she resented her mother, and she had to be reminded of her every moment because her mom was a famous Rockstar. She goes to the road, she comes to terms with her mom's love for her, how her mom's version of the ballad was a protection spell, as much as Alice hated it, and she manages to defeat her curse. She protects her coven. Only to immediately die. Her dialogue with Death was devastating:

Alice: That's it? That's all the... That's all the time I get? Death: If I had a nickel... Alice: This can't be the end. It has to be the beginning. I finally broke the curse. I mean, I can really do something with my life now. Death: You're a Protection Witch. Alice: Yeah. Death: You died protecting someone. You ready? Alice: No.

Heart wrenching, unjust, and beautiful.

Lilia, who was plagued by the gift/curse of seeing her and others destiny. Ignoring it for over half her life, staying stagnant, because she was reeling from the fact that she saw the death of her family, her entire coven, she told them and it changed nothing. She was chased out of villages because she could see the tragedies coming. Who refused to be with a coven, love a coven because the heartbreak of losing her first was too much. Who decided that cheap tricks, was better than seeing the tragedies coming, and refused her gifts. She hated the appropriation of her culture, but when the time came, she accepted it, and moved on. She goes to the road, and finds her coven. "I needed you, my coven." And she died, going back to the start, because she'd rather relieve it all again, the good, the bad and the ugly, that keep neglenting herself. "I loved being a witch".

That without going into the absolute masterpiece that was episode 7. Pulling a non-linear story, as solidly as they did, is certainly not easy. And they did it, beautifully.

Jennifer, who was magick-bound for over a century, to the point that she doubted her knowledge and herself. And yet she made a name for herself, she was a successful entrepreneur (she cheated a little, but you know capitalism is the true villain here). A black woman who was outstanding at her craft, healing and being a midwife, to the point that she became an inconvenience to the fragile, egomaniacal, white men in the medical field. Where they sought out a way to stop her indefinitely. And yet she kept going, and survived. Even at the end of the road. She looked at the person who bound her, and said: "I deny your power over me. You hold nothing." And she unbounded herself, and got out. Not because of Billy or even Agatha but in spite of her. Jennifer survived, just like she has been doing for however many centuries, and she flew towards the sunset. Because 'She's the path ahead'. The growth she had, from being selfish the first few episodes, because that's how she survived, to screaming for Lilia when she decided to stay behind. Jennifer clawed her way out of the road, the bound. And she deserved it.

As for Billy... he's so much like her mother. He accidentally created the road, because he's equally, if not more, unaware of his powers as Wanda. Wanda at least thought she got powers from Hydra's experimentation. Billy isn't even supposed to exist. Billy who was "10 years old" but, realistically like 2 weeks old. Who got thrown into the body of this guy, who he doesn't know, and who doesn't even knows himself, because he doesn't remembers, with powers he doesn't quite understands and then he starts piercing moments of his life together, because he feels this massive hole in his being. And finds his answers on Agatha. He truly believes the road is real, that can take him to someone who while not have the answers, might feel the same way as him. Who was his other half, he doesn't remembers it, but he feels it.

His magick, is like Wanda's, Chaos magick, it manifests without his real knowledge or intention, but by his feelings. He created the road, with all the knowledge he thought he had, the road follows the rules Agatha and Nicky created when they made the ballad. Even if he doesn't know it.

Is the show about Billy? Not necessarily. Billy is important to Agatha, because Billy is Agatha's son now. Not by blood, not even by magic, but by choice. As much as she denies it, her "calculated risk", had something to do in the way she saw Billy, and how she wanted to protect him, in a way she couldn't protect Nicky.

And finally, Agatha. Agatha who built a reputation of killing all her covens. Starting with her mother's. Because her mother sentenced her to death, because she was born evil. And she took that and ran with it. She connived, and betrayed, but she survived, something she's extremely proud of. Do I wish we had seen more of her past? 100%. I wanted to know how she got the Darkhold, how she actually met Rio, how they fell in love. Does not really knowing diminish her storyline? Not at all. Because what we got was really nuanced, and it's going down the hill with people focusing only in the romantic relationship aspect. If anything, I think this is being reductive of Agatha, not Billy. The fact that she needs the love interest for people to focus on her, regardless if that love interest is a man or a woman.

But even then, what did people think it would happen? Agatha Harkness had a romantic relationship with Death itself. It was never going to be a romance, it was always a tragedy. Death who took her son away, Death who gave her time with her son, but never specify how much time. Who then followed her around, torturing her with its presence, and we know Agatha is resentful and can hold a grudge.

Death who kindly stopped for her.

Rio knew Agatha would always resent her, even when she gave Nicky more time, because at the end of the day, she would always had to take him away. As much as it was a kindness to let him be born, to take him while he and Agatha were asleep. She had to take him anyways, and Agatha would never forgive her.

Agatha letting the witchfolk think that she exchanged her son for the Darkhold, or made a deal with Mephisto, and saying it was because "the truth was much worse" had nothing to do with *our* perception of worse. But hers. A powerful witch who couldn't save her son, a woman who couldn't keep her son alive. A witch who let her lover take her son away. Using her son to lure more witches. Then using the song, that her son lovingly created for themselves, to lure even more witches to their doom, just for her to be more powerful and keep living (and potentially still looking relatively young). A song that was special to them, corrupted, because she wanted more power and killing witches, something she knew Nicky didn't like. Witchfolk thinking Agatha got the Darkhold trading her son, was better than what she thought of herself.

She saw Nicky in Billy, how he didn't like killing witches (as accidentally as Billy did), how he mourned, how he somehow still believed in Agatha, even with his barbs at her.

She sacrificed herself, not necessarily because of Billy. But because of Nicky, her boy she couldn't save. And yet here is another boy she loved, not the same but very similarly, one she could save.

Billy didn't manipulate her, (and even if he were to, Agatha would probably be proud of him for that) he's been consistent in wanting to understand Agatha. He's curious. Hell, he didn't even need to come back for Agatha, he had gotten out (wherever out was for him) but he came back, because he cared about Agatha. And if some people can't see that, because he happens to be a he... well, no matter what had happened in the show, those people wouldn't see it any other way.

Agatha becoming a ghost, and immediately seeking Billy, because she loves him, and she likes the way he sees her, not good or innocent, but knowledgeable, and with the potential to do good. And she sees Nicky in him, and his potential too.

There is so much more analysis, and I might share more thoughts later, but for now, this is it. I still wanted more, Agatha's story with the Darkhold, the Salem seven, more of the coven, yet not necessarily for the show or the episodes to be longer, but I would love to see if they expand on this, on another spinoff.

[notebookqueenofnarnia]

Okay Demigods

now that Season 2 has been confirmed (!!!!!!!!!!) I am here to make my official appeal that you ALL read the books. and yes...i mean ALL the books. Because here is what you are missing if you don't:

(mostly spoiler free. mostly vibes and chaotic no context)

OG PERCY JACKSON

Percy's INCREDIBLE sarcasm

Lots of chaotic Mr. D moments

Percy's unending absolute obliviousness when it comes to: his own abilities/powers, his own feelings towards a certain daughter of Athena, and EVERYONE'S feelings towards him

the full list of Percy's felonies (it's longer than you think!)

how much Percy thinks about Annabeth, especially in the third book

The Hunters of Artemis (everyone's like 'which godly parent would you have?' but im like ??? who cares??? I'm running off with the girls to immortal to hunt men i mean monsters)

soooooooooo much Sally Jackson is the Best Mom (to everyone who walks through her door) content

BLACKJACK. TRANS ICON BLACKJACK THE PEGASUS.

Rachel. Elizabeth. Dare. (this is how the audiobook says her name every single time)

Paul Blofis

Sally Jackson, author

Poseidon: Blowfish?

HEROES OF OLYMPUS

If you don't read these books you are missing out on some of the coolest female characters Rick has created: PIPER (an iconic), HAZEL (unintentionally hilarious), REYNA (beautiful character arc), and ANNABETH's point of view will have you loving her on a whole other level, trust me

Also: COACH HEDGE

Leo

All The Ladies Love Leo

the audiobooks are INSANE. It felt like a full cast read the book, but no. it was just one insanely talented narrator.

FESTUSSSSSSSSSSSSSSSSSSSSS (im a dragon girlie)

Personally, I spent a lot of time reading the OG 5 wondering about how Roman mythology plays into Percy's world. Uncle Rick answered my questions and answered them SO WELL

Hazel the horse girl

Frank the horsebirddolphinman

Frank, gentle himbo, my beloved son

MY FAVORITE SCENE WHICH INVOLVES PERCY NOT KNOWING HOW TO DRIVE, A HARPY, FRANK, AND HAZEL AND THEYRE ALL SCREAMING AND IM PRETTY SURE STUFF IS ON FIRE

Forced Proximity for 7 teenagers and one chaotically violent satyr (that's Coach Hedge)

Eros/Cupid being one the most genius things Rick's ever written

Percy's hate of Ares transcending god magic

(also his love of Annabeth, but that's like obvious)

PercabethPercabethPercabethPercabethPercabethPercabethPercabethPercabethPercabethPercabethPercabethPercabethPercabethPercabethPercabethPercabethPercabethPercabethPercabethPercabethPercabethPercabethPercabethPercabethPercabethPercabe

weird barely gnome things

this one giant whose name is definitely not pronounced like female anatomy

everyone thinking Percy and Annabeth are constantly getting up to the hanky panky

a statue made me cry

Gay Grumpy/Sunshine (or should that be Death/Sunshine) origins!!

TRIALS OF APOLLO

Apollo, vain himbo of godly proportions is forced to live as Lester Papadopoulos

Percy: why

a very chaotic twelve year old daughter of Demeter

she commands Apollo around

plant magic

terrible great haikus at the start of every chapter

Sally Jackson being the best mom to everyone who comes to her door

magic shoes

a sassy magic prophetic arrow that talks in Shakespearean English

so much gay grumpydeath/sunshine content

also yes sunshine's dad is Apollo

Apollo sings

Grover! Piper! Reyna! Hazel! All the friends! Everyone

Jason! (also im sorry)

what if there were some trees who were an elite squad of warriors who also answer to the chaotic twelve year old

gay moms of the midwest

unicorns

in the last book, chiron takes the campers on a 'field trip' to help take down the big baddie and he shows up dressed as a warrior soccer mom with granola bars, water bottles, and extra swords attached to his fanny pack

a different chaotic twelve year old while fighting to the death in a building that's on fire: "CAN WE GO ON FIELD TRIPS EVERY WEEK?"

chiron: "ROSE DEAR RAISE YOUR SWORD A LITTLE HIGHER!"

okay im not going to spoil it but in the last book there is also this extremely horrifyingly violent moment that Uncle Rick somehow turns into one of the most hilarious things i've ever read

Piper in the epilogue

CHALICE OF THE GODS

more insanely funny percy first person narration

Grover, Percy, Annabeth reunite ("the gang is back together!" "The three musketeers!" "Shrek, Fiona, and Donkey!" "Excuse me?")

have you met the god of himbos? (Percy has)

SO

MANY

EASTER

EGGS

for Season one. you can totally see how Uncle Rick worked on the script and chalice together

if you liked Annabeth shoving Percy into the water....this one is for you

Percy, supreme god of snakes

the cutest cutest cutest cutest Percabeth content you will ever read

hippie gods (yes more than one)

Percy is literally obsessed with Annabeth

Annabeth already being the Jackson daughter in law

Sally Jackson and Paul and

For the record: You CAN read Chalice of the Gods without reading the other series, but please please please read all these books. The audiobooks are phenomenal.

[momoliee]

Here Is Why You Should Read Priest’s Modern Danmeis :

As much as i love priest’s period novels, i absolutely adore her more recent, modern novels even more. You can tell that her writing style has completely changed as she grew and gained more experience, giving an edge to her work. I definitely believe her modern books NEED to be as popular as her wuxia ones cause COME ON?

(i’ve written in depth reviews on my page for each title i mention)

First, my absolute all time favorite, one of my top 3, Mo Du :

I’ve read this series a total of two times so far, and I’m about to read it a third time cause it’s just that good. And here’s the thing, i almost NEVER reread or rewatch stuff ok.

Fei Du is one of the most complex characters that i’ve encountered in my reading experience, with the worst type of mental trauma that i could come across. His relationship with Luo Wenzhou is one of the most enjoyable and perhaps, priest’s best written romance. Theyre both equally flirtatious, equally bold, their back and forth bickering is full of sexual tension and their progression from enemies to lovers is IMPECCABLE.

And the plot? PHENOMENAL. The BEST mystery and thriller detective series that I’ve ever encountered, with each book having it’s own individual mystery, and no two mysteries are similar. From child trafficking to serial killers to drug dens and even terrorism….you name it. Each arc is well crafted, and by the end, you’ll truly be able to sigh in satisfaction. For priest to be able ro make you enjoy both the romance and the plot equally…shes a genius. a 27/10.

Trigger warnings: this book discusses heavy topics such as pedophilia, rape, drug abuse, suicide, self harm, and a lot of similar topics

Next: Can Ci Pin:

Her most underrated work and i cant even begin to understand why. I mean yes it takes place in outer space in a futuristic society where people live for around 200 years across the span of 8 galaxies (not there are no aliens, but there are concepts such as ais and robots) but like….you’ve all read sha po lang with its steampunk theme and you all KNOW just how good priest is at world building. Dare i say, priest is the best danmei author when it comes to world building.

Yes, this is perhaps her slowest and longest piece of work and i get why so many would get bored after the second book. But here’s the thing, ccp has one of the most complicated worlds and plot. the plot is actually one of the most confusing and heavy plots that i’ve encountered. so in order for the story not to fall apart, it was very necessary for priest to spend the first two novels and half world building as well as slowly laying out a proper foundation for the plot. That way, when she starts speeding up the pace, you are basically a pro who doesn’t need to backtrack, reread or double check anything. By the time i was done with the third novel, i felt like i knew everything about space politics, wars between galaxies, Ai and microchips, and everything in between. And that’s saying something cause im an IDIOT when it comes books and shows politics ok.

In this series, priest has seriously invested into every single side character, even those who’ve been dead since before the series even started. With extensive backstories, each and every single character grows on you as much as the main pair if not more, and you fall in love with the found family priest created as well as all the characters who are only talked about in flashbacks and past tense. Another favorite part about this series.

Now the main characters and the romance….chefs kiss. Lu Bixing has one of the BEST character arcs that i’ve come across. He starts off as this bright sunshine boy, goes through hell, becomes this depressed cynical man then finds his way back to his old self again all in the span of the novel itself. Being able to go through the pain with him then watch him heal, makes you very attached to this baby. Li Jingheng my all time cold prince biggest crush ok i love him. Their romance was SOO entertaining cause EVERYONE was rooting for them and everyone played matchmaker and wingman with them it was HILARIOUS. The comedy was top notch, the second hand embarrassment was real, but it made the reading experience feel much more organic idk i just enjoyed myself so much and laughed so hard. 20/10

Trigger warnings: human trafficking and experimentation, self harm and suicide

Third : Lie Huo Jiao Chou

Xuan Ji’s wings of flame are the highlight of the series ok. Almost every single scene has him whipping his wings out just to show off and his boyfriend eats it up everytime ok.

I absolutely love the amnesiac plot line where two past lovers meet again and yet are unable to recognize each other. Yet, slowly, as they spend more and more time together and one of them starts regaining his memories, the pining and longing begins. And oh does Xuan Ji YEARNS in the most beautiful way possible. And once they BOTH regain their memories in full, the angst is just the cherry on top. Being unable to resist each other yet still trying to pull away, the tension, trying to hold back…delicious.

The plot is so easy to keep up with and enjoy too. Both the story taking place 3,000 years ago and the one in present time are equally entertaining, where we see scenes of war and tomb raiding and investigations and a little bit of magic too. The visuals are fantastic, and the contrast between the two parallel settings is new and refreshing as a concept. 8/10

Trigger warning: main characters experience severe child abuse and neglect

Fourth : Guardian

Guardian is the most popular out of priest’s modern novels so i dont feel the need to say much.

Guardian discusses heavy topics such as death and what’s beyond. With an element of mystery where an investigation team search after where dead souls are being stolen to or why some souls are being sucked out of living people, the premises has an element of horror and goth that gives it this edge. Coolest ghost story around.

The main cast is also a hilarious bunch, and you sort of grow attached to the entire office especially a fat black talking cat. 7/10

Trigger warning: death and murder

I hope this is enough to convince you all to check out more and more of pipi’s work. Yes, sha po lang, lord 7, faraway wanderers and fuyao sect are amazing…but if you haven’t read priest’s modern work then yall are missing out ok. that’s it for now xxx

[demigod-shenanigans]

"I can go into why i dislike ToA (especially Tyrant's Tomb is. a book that exists) but box of pandora. Once open good luck shutting me up" (source: your tags)

Now that you said that, i'm geniunely curious. Open the box. I dare you

This should be obvious but @ the people who really enjoyed ToA, this post is not for you. I’m not sure I’ll even tag it because this is mostly me venting into the void because two people asked and not me wanting to ruin other people’s fun. These are just my personal opinions.

I also apologize if I get any details wrong, I did recheck a lot of the things mentioned but it’s been a minute since I read ToA and might not remember everything 100% correctly. Also, obvious spoiler warning.

*claps hands together* Okay, you asked for this but heads up, it’s going to be long. Maybe grab a snack and a glass of water beforehand.

My beef with ToA can be summarized into a few key points that I’ll elaborate on below but basically:

-It tries to wrap up character arcs for some of the seven (and Reyna) but does this through the eyes of someone with zero context and also treats these characters arcs as unimportant footnotes in the larger story

-Jason’s death and everything surrounding it was handled extremely poorly.

-I cannot remember any demigods staying mad at Apollo. Redemption arcs should not mean everyone has to forgive this character for all the shit they’ve done in the past.

-The death toll. This is not helped by the fact that a lot of the deaths feel like they exist solely for the purpose of making Apollo learn death sucks over and over again (Jason is the worst example of this, but there are others)

More grievances I have but don’t have enough to say about to justify a longer explanation:

-There are a whole bunch of new minor characters on top of the old ones already struggling for screen time. I don’t remember much about any of them, which is a shame because the idea behind some of them is really compelling.

-The story is centered around the Triumvirate as antagonists, with Python as a final boss, but book four just dumps an additional antagonist on you out of nowhere? Why?

-Reyna rejecting Apollo is nice and all but I still had to put up with him crushing on her and was very uncomfortable the whole time.

-Chiron sends a bunch of new demigods into what’s potentially a death battle and tells them it’s a fun field trip (what the fuck)

-This is a personal grievance more than anything but it took me ages (book five) until I really got attached to Meg. I feel like that could have been fixed if she at least got a few POV chapters.

-Dishonorable mention to the punch line joke. Two whole camps of people lining up to hit the canonically abused kid that saved them is not funny.

Details under the cut (Pandora’s box, I did warn you)

Character arcs:

The books really do try to tell meaningful stories for people whose arcs weren’t finished in Heroes of Olympus. With some of them, you can even tell the ideas behind wrapping up those arcs were solid. But the books also tells those stories through the eyes of a character who doesn’t know these people’s pasts and quite frankly doesn’t care a lot of the time. People will voice/do something that is huge for their character and instead of going into that it’s followed up with some random Apollo anecdote that’s only tangentially related at best.

Taking Leo as an example: Apollo has no idea why Leo settling down and finding a home somewhere after everything he’s been through is meaningful. That’s a story that could have been the focus of an entire book of its own, but instead it’s just a side plot to a completely different story. And that story really should have been told through Leo’s eyes, or at least through the eyes of someone like Jason or Piper who realize why this is huge for him.

Apollo also does not care why Leo and Calypso are fighting, so it’s not something that’s properly explored. Leo’s fights with Calypso are mainly mentioned/witnessed. You get some guesses as to how they started but they never mention the exact reasons. They both say they care about each other, but only to Apollo, when the other person isn’t present. When they sort things out it happens largely off-screen. I was also not a fan of the way many of their issues ended up being pinned on Leo being sexist when it was actually way more than that.

ToA does this a lot. It gives arcs to characters who honestly deserved to be explored more, but those arcs are barely footnotes in a larger story where these characters just cameo for a hundred or so pages.

The cameo stuff works okay for Percy and Solangelo because the books are very aware they’re cameos and they get to have fun but this is not their story. But the characters the series tries to give proper plots to are all over the place.

It’s said that Jason and Thalia are really close but they never interact in the books. Jason had a bit of a chance at a normal life finally but that’s barely gone into. (More on Jason later because my god did how the books handled him piss me off massively)

Piper’s struggles with her queerness get the random Apollo anecdote treatment. There’s some stuff about her reconnecting with her dad and her heritage but that’s not explored a ton either.

Frank’s firewood burns up and he’s fine, which is just sort of hand-waved and doesn’t feel meaningful, especially because I think the fireproof pouch was already a fine solution? Congrats on being free of this, now you can get stabbed to death like all the other characters, I guess.

Reyna gets a sort of arc but it feels really weird because it happens almost entirely off-screen. She spends a large fraction of the book chiding Lavinia for leaving her post, then gets her leg broken, is off-screen for a while and then just DIPS with the Hunters after her home suffered huge casualties.

I also think her joining the Hunters is a super lame way to resolve her arc in general (she just lays down one responsibility to sign up for the next, and a character not wanting romance/not wanting romance right now should be allowed to exist without having to join the eternal maiden’s club, but that problem isn’t isolated to Reyna and could honestly be a whole post of its own)

This also comes down to the fact that I’m here mainly for the demigods. I care about these kids having good arcs and good lives. I care significantly less about Apollo having to learn really obvious shit like “murdering my pregnant girlfriend was perhaps a little messed up”

Jason’s death and everything surrounding it

Killing off a major character (especially one whose arc isn’t finished) can be a plot twist that works at times. But it has to be handled well. Doing it to a character that’s suffered horrifically and is starting to heal is also a hugely shitty move, but I understand you want meaningful deaths for the plot sometimes.

But you cannot do it the way Rick did it with Jason’s death. If he was going to kill off one of the seven, he should have done it in Heroes of Olympus, with that character narrating and their friends getting to deal with the aftermath and grieve.

Instead, Jason dies in a book that he appears in for like. A hundred pages iirc? Two-hundred at most? You get Apollo narration on it, and sure, he’s big sad about it, but he also knew this guy for two days.

Piper gets a few pages to deal with his death, then disappears from the book and comes back for a heroic rescue later. Leo gets like two pages to deal with the fact that his best friend is dead. They then proceed to fuck off to Oklahoma instead of going to the funeral. For what reason? No idea. The book doesn’t bother to explain it.

Jason gets a Camp Jupiter funeral, with none of his Camp Half-Blood friends present, because fuck the fact that him belonging to both camps was a huge part of his arc, right?

Piper and Leo know Jason is dead but they cannot be there because they’d already used up their time as ToA side characters, I guess. Percy and Annabeth can’t come, they don’t find out due to demigod communication issues until the end of the series. Thalia also doesn’t get to go to her brother’s funeral. She doesn’t find out until the funeral is already over. We don’t even really get to see her grieving, her finding out Jason died happens off-screen too.

Because this is the Apollo show, Apollo is the guy who leads the funeral procession instead of, like, Reyna, who knew Jason for years.

Also, for some reason, the person avenging Jason is Frank? Absolutely no offense to Frank, he’s a great guy and I’m sure he cared about Jason, but that choice still feels deeply comedic considering I can remember exactly one meaningful interaction him and Jason had in HoO (Jason giving Frank praetor position at the end of HoH) and not a single conversation they had beyond that. If Rick had to write Leo and Piper out of the plot, why not at least have Reyna avenge him?

Jason dies specifically because Apollo broke a stupid oath he made on the River Styx. We’re told that people around him will keep dying because of this. He dies as a chess piece in a stupid game between gods, for the sake of Apollo’s character development. He dies so he can be brought up every hundred pages for Apollo to waffle about how sad his death was but how he’d also definitely not want to be brought back (I get it, we cannot revive people constantly, but having Apollo make this point when, again, he knew the guy for two days, is still really stupid. Nico also gets to make the same point at the end just in case the reader didn’t understand before that we’re not bringing Jason back)

Apollo is forgiven by everyone

Related to the above point. Like I said, we’re outright told that Jason dying is a direct consequence of Apollo’s oath. Apollo also knew taking them along on the mission would get Jason or Piper killed and he did it anyway.

Piper gets to be mad at him very briefly, but when he tries to apologize at the end of the book, she interrupts him and tells him “it’s fine” (her voice is described as “no anger, just natural heat”)

Thalia doesn’t get to be mad at him at all. Her baby brother died and she just pats Apollo on the back and tells him “it’s fine, Jason made his own choices. That’s what heroes do.” And then it’s made about how Artemis lost Apollo when he got transformed into a human instead of. Like. The fact that Thalia just lost her baby brother for the second time in her life.

IT’S FINE?? THAT’S ALL ANYONE HAS TO SAY ABOUT THIS??

Hell, Apollo even has a sort of dream hallucination of Jason’s ghost so that ghost can forgive him too.

Was that really necessary? Why do people think that a character learning to be better means absolutely everyone has to forgive them? Wouldn’t it have been a better sticking point for a god to learn people are allowed to stay mad at you?

The death toll

A lot of people die in these books. People dying in pjo books has always been a thing, but it’s never felt this pointless or this much like it was solely happening for a single person’s character development.

Jason is the most pointed example of this, but there are more. Starting with the fact that two of Apollo’s kids almost get torched in front of his face in the first book (Austin and Kayla) and somehow that is not a sticking point. I don’t think it’s ever brought up again afterwards.

Other characters that die so Apollo can learn death sucks:

-Several Dryads die saving the grove of Dodonna

-Heloise the Griffin

-One random unnamed demigod in Dark Prophecy (mentioning them because that’s where it occurs to Apollo demigod deaths also suck)

-Money Maker (Dryad)

-Crest

-Harpocrates and the Sybil of Cumae

The death toll in Tyrant’s Tomb is completely ridiculous. Like, “feels worse than Last Olympian despite not even being the final battle”-ridiculous. And unlike how Percy at least gets to use that tragic battle to change things in a fundamental way, the Camp Jupiter demigods don’t win anything significant. Their home is only almost completely destroyed. Some of them aren’t dead. That’s it.

If you remember the name of any side character Camp Jupiter demigod from HoO, there’s a very high chance they die in this book.

We don’t get exact numbers for how many people die. The book actually explicitly refuses to give numbers, stating “We didn’t count the dead. They weren’t numbers. They were people we had know, friends we had fought with.” (Which gets even more ironic due to the fact that, again, we barely have any named CJ demigods to begin with)

The closest thing we get to numbers are that 25 demigod members of the legion died in the battle before the book started, and towards the end there are fourteen total demigods still standing of the first to third cohort combined. Even if half the missing demigods are “just” so severely wounded that they can’t fight anymore, that’s still 60 dead kids! The pre-book battle was mentioned to have been hardest on the civilians. We don’t know how many of them died, and losses among the fourth and fifth cohort are also unknown, but that is a ridiculous amount of losses. Why are there so many dead kids in this book and why are we all just supposed to be okay with this?

Jupiter explicitly forbids the other gods to intervene. The only one who does is Diana, after an offering, and she takes her sweet time to get there. That camp is named after the guy! That’s people’s kids down there! I know the gods not helping their kids isn’t exactly new, but this is on a whole other level.

There are funerals but those are largely skipped over, and Frank announces that they’ll resolve this by asking Lupa to bring in more demigods so they’ll come back stronger, which. Baffling statement. Let’s just fix the dead people by replacing them.

TL;DR: Good on Apollo for learning to be better, but I really didn’t like how it was done. There were a handful of things I liked in almost all the books, not including Tyrant’s Tomb which wins the award for rrverse book I most wanted to chuck out of a window. Some of the ideas were good. I think the first and last book are mostly solid (largely due to the fact that those don’t try to shove in entire side character arcs). But the things I did enjoy just get very heavily outweighed by everything that annoyed and upset me.

I really wish ToA had been mostly new characters with maybe some minor cameos, and other people’s arcs had been saved for different books. I also think splitting the perspective between Apollo, Meg and maybe the HoO character who was trying to have an arc in that specific book would have helped.

[soleminisanction]

Why did TD:R fail? Was it a flop? I could tolerate the art style but I’d feel bad if it was just for that.

There's no way for anybody on the outside to know for sure. You'd have to ask someone at DC, and they might not be able to tell you depending on the current NDA situation over there.

From the outside, I can tell you it sure felt like the art on the first arc is what tanked the series. I didn't have a problem with it either because I like stylized art (barring a few exceptions -- the coloring on Batgirls triggers my migraines), and because I gave it a shot I saw what they were going for. It was the art style that best suited the Clayface-gone-wrong tech the villains were using, and for establishing the quirky, offbeat and (some would say) off-putting setting and characters of the Gotham Marina.

But when the series was running, all you ever heard were two discussion points over and over again: the art is ugly, and how dare there be gay boys romance in my superhero comic, with people acting like Bernard was getting sooooo much more page time than, say... Lois Lane. Iris and Linda West. Selina Kyle. The romance between Dick and Babs over in Nightwing. The romance between Harley and Ivy in everything they're in. You get me.

(As if that relationship wasn't the thing that got the book greenlit in the first place, given that it scored DC a shitton of free mainstream press the year before.)

And the thing is, people are always going to bitch about the writing on an ongoing book. Always. Gestures vaguely at current comics discourse. It's a big-ass fandom, somebody's always unhappy with what they're doing, they always, always blame the writers, and that goes double for anything written by a young woman like Meghan Fitzmartin. Double double if that young women happened to shake up the status quo in a majorly progressive way, like say, making an established character canonically queer.

So if it had just been that the book probably could've gone on at least as long as Batgirls did. And when they switched artists, people who were invested in the Tim/Ber relationship and in Tim's ongoing story started paying attention again and actually talking about the story. But by then it was too late, the book had already been canceled and was wrapping up, and it was genuinely a shame.

The book is fine. It's not a masterpiece, but it's fun and perfectly workmanlike and it loves Tim without shitting on other characters -- even when he does get a "issue where he fights the other Robins" (I assume this was an editorial mandate because both Jason and Damian had similar issues in their solos around the same time and that feels like way too much of a coincidence) it's a) not actually them and b) mostly about praising them for how good they are and how the copies are inferior.

The above statement, admittedly, does not apply to the marketing around the book, which I can only imagine didn't help matters because it was very cringe.

So yeah, that's the long and short of it by my estimations. TD:R took a big artistic swing in its first arc that failed to connect with its audience and then was just never given the chance to recover. It's sad.

[presidentheartbeat6]

The Temeraire Playlist...

Hi. Hello. I am here today to ramble on about the music I've got on my temeraire playlist.

My music taste is. Strange. Blame my dad.

GRAND NEW SPIN (GOLD CELESTE): Starting out strong with a song that reminds me of willzing. There are! A lot of these!!! On here. You have been forewarned.

Anyways I think this is from Tharkay's perspective. "A longing for things to begin" (Ok but pining Tharkay. methinks.) / "A place where truth is not a sin" (THEIR HOME!!!! POST CANON!!!!!!!!! yea guess what the truth part is I dare you. I'll give you a hint its their GAY LOVE)

MEDICINE (LOVING): Will Laurence.

"You felt for the words like the wings of a bird, riding the winds of a dark form you heard" (!!!!! TEMRER!!!!!!!!!) / "A voice speaking low, it said 'I swim the deep waters, dreams are my eyes, deeper than blue'" (this but.. Tharkay.. dreaming about blue eyes..)

And then the last few lines are. Laurence to Tharkay & Granby :,)

TWO FOR NERO (EVERYTHING EVERYTHING): Ok so I can't put an everything everything song and NOT talk about it. Fair warning I'm crazy insane about this song. Like wild. My blog name is actually based on the everything everything song called (you guessed it) president heartbeat.

Now this song. Starts out a little strange. You're like 'where are these guys going with this???' And then about halfway through. You get to. The Part. You'll see what I mean. Pllllss tell me what you think about this song I'm so curious if it's just a me thing or what.

Anyways... this song is soo. Will Laurence. But specifically it's Granby talking about him.

"We met inside a war zone" / "And you never tell me anything, you never tell me anything" (EARLY BOOKS LAURENCE POV, HIM & GRANBY WHEN HE'S STILL FIGURING OUT THE CORPS. HEAVY BREATHING.) / "I can't remember dates and times, and I'm sorry for the years I was a shipwreck boy" (Laurence POV amnesia arc. Yeha.) / "I'd rather dash myself up on the rocks, than see you waste away your day with clocks, in every corner of your parent's home" (amnesia arc granble POV gheaaauugh) / "And there's no world war coming in, all the reasons I've been worrying, just forget the parts you'll never need, all these things I'll tell you when you wake up" (SO FUCKED UP SO FUCKED UP SO FUCKED UP. hahahaha Point of View: Granby when his best friend loses all memory of him lol hahaha!!!!!!!! hahahahahahaha!!!!!!!!!!)

MAKE A CHIIIIIILD. AAA CHIIIILLDDDDD. AAAA FOOORREEEESTTTTT.

ok sorry I'm done. there are even MORE lyrics that relate to them in this song than the ones that I listed btw. some ODDLY specific ones too. I wish I could listen to this song for the first time again.

DRAGON EYES (ADRIANNE LENKER): no this is definitely not just on here cuz dragon is in the song name how dare you. anyways this song is sososoooo willzing.

Just think like ... tharkay's perspective..... "When the hot sand burns my feet, you have cool hands, you are sweet" / "As the coastline is shaped by the wind, as we make love and you're on my skin, you are changing me, you are changing me" / "I just want a place with you, I just want a place" (do I even need to say it?!!?? ok fine. their house. post canon.)

IN OUR BEDROOM AFTER THE WAR (STARS): dare I say Tharkay Laurence Granby friendship.........

"It's us, yes, we're back again, here to see you through, 'til the days end" (YEAH. YEAH. GRANBY AND THARKAY @ LAURENCE.) / "She's gone, she left before you woke, as you ate last night, neither of you spoke" (beautiful awkward early day willzing) / "And if you lost it all, and you lost it, well we'll still be there when your war is over" (AGAIN!!! THEM AT LAURENCE!!)

TO GO HOME (M. WARD): GRANBY & LITTLE>???>?>?>? finally a song NOT about Laurence. except this could probably still be about Laurence if u squint.

"Sailing on a sinking ship, into the sunset in day" (poor granble forced onto all those many. long. boat voyages LOL) / "To think I'll have to give it all up someday" (just thinking Abt how they'd never be able to get legally married and even if they do stay together how they'd live their lives in constant fear of being found out) / "And if I ever treated you mean, you know that it was only because, I'm sorry, I couldn't have you for my own"

IN THE AEROPLANE OVER THE SEA (NEUTRAL MILK HOTEL): Tharkay song :3

"What a beautiful face, I have found in this place, that is circling all 'round the sun" (Tharkay inner monologue whenever he sees Laurence) / "What a beautiful dream, that could flash on the screen in the blink of an eye and be gone from me" (the dangers of Laurence dying in the line of duty, etc, etc) "And one day we will die, and our ashes will fly from the aeroplane over the sea" (thinking about temeraire spreading their ashes lol lol lol I am laughing so hard rn hahahahaha. spreading them TOGETHER I might add. United even in death) "With one you loved so long ago, now he don't even know his name" (*whispers* amnesia laure- *gunshots*)

SIMULATION SWARM (BIG THIEF): Mmmm yum yum I love this song. It sort of gives me Granby & Laurence vibes.

"O my stars, winged creatures, gathering in silken height" (TEEEMMMERAIIRE! sorry I have to.) / "with the drone of fluorescence, flicker, fever, fill the form" (just thinking about Laurence watching over Granby one of the many times he's seriously injured. siiigh.) / "And you could be my brother, once again fall asleep with our backs against each other" / "I'd fly to you tomorrow, I'm not fighting in this war, I wanna drop my arms and take your arms and walk you to the shore"

TOUGH LOVE (FLYTE, LAURA MARLING): auhgguhgh more willzing feelings. just thinking about their adjustment period after fighting in the war where they're both trying to learn how to Be Normal about being in love. thisssss ssoonnggg gives me Tharkay POV vibes.

"I've been trying to hurt you, I've been holding you tight" (the ultimate paradox, pushing away those you love because you're afraid of it, and being so desperately in love you can't fully make yourself do it.) / "I've been learning to love you, am I doing it right?" / "How are you still breathing, with my hands all over your heart?" (I think that while Laurence is still eons from normal, once he comes to terms with it he's a lot... MORE normal about their romance than Tharkay. Laurence trusts him completely and it is. a little disturbing to Tharkay, perhaps)

THE SMOKE (THE SMILE): ohohohoho. this is a fucking PHENOMENAL song.

"It begs me, while I'm sleeping, I desire a second chance, I set myself on fire" (oh YEEESSSS post treason Laurence yum yum yum) / "Wakes me from my sleep, smoke wakes me from" (MUST I EVEN SAY IT. THARKAY RESCUE MOMENT.)

TRIPOLI (PINBACK): I'm too lazy to make an animatic. but if I WERE going to. it would probably be to this song.

"You know what's gonna happen, you know what's gonna happen, he's gonna go down, and he's gonna come back again" (Tharkay somehow miraculously returning to Laurence over and over and over again. soulmates. attracted to each other but also like LITERALLY physically attracted to each other in a magnet way. idk. SOMETHING.)

FORTRESS (PINBACK): THE EGG HUNTTTTTTT!!! HUNT FOR EGG!!!!! DESERT!!!!!!!!!! LAURENCE THARKAY GRANBY BONDING!!!!!!!!

"You and a test of will, too many fallen, too many failed, nobody move, nobody move" (EGG HUNT111 and. bunyips) / "You and I, uneasy, livid" (OOAUGHHQ!! I just think yk like. being stuck out their in the elements day in and day out. all those horrible conditions. and again, the fucking bunyips. so many stressors.... them all being anxious and snappy with each other... angst soooso good...) / "Stop, it's too late, I'm feeling frustrated, I see no sign of fortress, I see no fortress" (looking for water, looking for the egg, looking to catch a FUCKING break for once) / "Another delay, too many hassles, where do we go? How do we follow?"

WILD WEST (GREGORY AND THE HAWK): I love Gregory and the hawk ssoooososososoooooooooooo much. SSOOOSOSOSOOOOO MUCH. I have sooo many of her songs on my aubreyad playlist... yeehhaANYWAYS this song is. soo. Laurence coded.

"Flightless skies, the fear, the doom, it's no surprise" / "Realize there's no sense in losing your mind before your time, in order not to worry, you write the words down, but it's a fools game" (AMNESIA ARC AMNESIA ARC AMNESIA ARC) / "Rise young sun, you're a tireless one, and you'll be back burning when the morning comes" (LAURENCE LAURENCE LAURENCE)

GET NUMB TO IT! (FRIKO): hahhakjdshnjsh would it be mean to say. John Granby. poor baby darling.

"Tip toe out from the backdoor down to the basement, where your funny faces always made me frown" (sneaking into littles' room...) / "And when I'm down, I'll dance in a fever cold and calm, with a sewn on smile and feet swollen and numb" (poor guy :( the granble <3) / "And it doesn't get better, it just gets twice as bad" (JHBKJNKJNKJN. yeah. he literally Cannot Catch a Break bruh.)

OOKAYY!!!!! thank you for reading WOW congrats if you got all the way to the bottom :DDDDDDD listen to one of these songs and tell me when you think :)))!!!!!!

If anyone ever wants to talk music with me literally ever...... pls. I am so here.

[tare-anime]

Finally I finished reading Eyes Only the english translations.

The highlight of this book for me? Endo and Lin's commentary 🤣🤣🤣👏👏

It is very interesting to see that I get the impression that out of all Forgers, Endo loves Yor the most (but it's highly probable that I'm biassed. Duh!!)

I mean, we know that Endo loves strong female - fighting heroines. Especially if we look at Endo's previous works. Like the two serialization: Tista and Gekka Bijjin. Both has strong female heroines as the leader. And then, his one shots also featured female leads. Perhaps only his latest one shots: Ishi ni Usubeni (the one with Medusa kid which later become Anya's prototype) and I spy (the prototype of spy x family) that featured male character as leads.

No wonder Endo can creates so many amazing female characters in spy x family. (Not that the sxf male characters are bad. Far from it!)

But it warm my heart when Endo shows that Yor was the longest he took in creating the character design. (And I also notice that Endo loves to draw Yor in so many cute outfits and accessories 🥰 and also seems to get hurt the most for my whumpy needing souls delightment #ahem)

At the same time, the badass yet cute and naive Yor is the one character that he got trouble the most to develop!

I still remember back then, when we were still at chapter 38-39 ish, Endo did have more breaks than usual, chapters that is focuses on side characters like Damian, Bond, Yuri, Sylvia (short mission), Frankie, all that make the small fandom fans 'restless' for the "too many fillers chapters"

And then there was a tweet of him telling the fans to be patient, because he was planning something.

And then, BAM!! Chp. 43 dropped. A Franky and Yor chapter, that end with Yor getting a call from Shopkeeper. Yes, the chapter we just got the anime episode (ep. 29!)

The small fandom at that time was going ferall over "Garden" name drop. And keep chanting "Yor arc Yor arc Yor arc Yor arc!!"

And then BAM!!! We got one of the best arc ever: Cruise Arc.

With that one gorgeous Yor ilustration that make the small fandom around the world decided 4-6th April to become Yor's day. On the spot.

It's one amazing experiences, ngl.

So if one asked me whether Yor has been pushed to the back, I dare say no.

It's just writing an interesting assassins plot is difficult.

Especially in a story where everything is grey.

WISE is described as the "good" guy who tries in all their might to stop the war. (But are they really? Why are they snooping around inside other country? And why are they badmouthing Ostania?)

SSS is described as the "bad" guy cause they oppressed their own people and manipulate young energetic talent as Yuri to serve them. (But what if it is needed to keep 'peace' from the rebels which of course can be found everywhere in a freshly stopped war country?)

A good story can work with two opposing sides going head to head.

But then there's Garden. Where are their position? A story about three way "war" can be difficult to tell, overly complicated, and too much. On one side, Garden can't be the "good" side because they murder people. But they can't be "bad" either if the people they murder are the bad guys. However who to tell which one is good which one is not?

And most important, how to make Yor as a protagonist that is not a villain.

That's hard.

So, judging from the past experiences (when Endo took more breaks than usual), plus this amazing detail analysis by @itsmaferart, I dare say Endo is cooking another Yor or Garden centric arc, after the Eden and SSS vs WISE.

I have high hope for this. 😁😁😁😁

So we shall wait and see.....

Tldr; I think Endo loves Yor. He is preparing for something awesome for her. and I'm not complaining. 🤣🤣🤣🤣

[nalyra-dreaming]

Who is your favorite and least favorite IWTV series, movie, and book character and why?

Hey nonny!

(There's two ways of reading your question, so I'm just gonna answer both versions^^)

My favorite is the new IWTV series, the revamping (ha, pun^^), of the characters, arcs, books in and by themselves while keeping the important bits and elevating it all to art is breathtaking. I love how clever it is, how much it subverts some tropes, how it plays with the meta level by giving us the books Louis reads, or what is laying around in the set behind characters. Hints over hints, and every friggin' line counts. Show of the decade, truly.

I will always love the 1994 movie, since it was what introduced me to the Chronicles, I cannot tell you the state I was in after I came home from the theater. I watched it daily as soon as I could get it on tape, I shit you not. (Easily Tom Cruise's best performance, too, imho, as a note^^)

And I waited years for the sequel... only to get Queen of the Damned. Ahem.

I am sorry, but that has to be my least favorite of it all, though Aaliyah was breathtaking. And the soundtrack was good.

Now character-wise...interestingly enough book-Louis came to mind immediately. He is (probably) my least favorite. And I say that as a fan *laughs* He is just... IDK. I know the history behind it, and I know the pain Anne must have been in (and which I do not dare to imagine), and I know why she had to leave him behind... but even though he has his reasons, too, they never really resonated with me. And neither did his backstory. As a vessel he works very well, because he is empty in IWTV, or he feels so for me, but as a character I do not feel him.

Thankfully the show version has completely eclipsed him for me, and I can finally enjoy who Louis truly is and who he will become - quite the feat I have to say, and I love, love, LOVE them for it.

All in all Lestat is probably the character who is my favorite though, not the least because he can be so capricious. There are... parallels to my own life, parallels the show will yet touch upon in future seasons. When I read The Vampire Lestat I felt those in my bones. It doesn't matter here if show, 1994 movie or book, though of course Sam... IS Lestat now. ^^ Season 1, filtered through Louis' (influenced) POV was only a hint after all, and... Lestat is yet to fully appear.

I do not really have characters that I don't like in the show - every character they have is very well cast, and very poignant in their function for the story, even the repugnant ones. They vibe. Maybe there will be a future show character I do not like in and by "themselves", but... I actually doubt it. They're so terrific at casting.

In the movie it is the same, on the contrary, I always remember here that Christian Slater jumped in for the late River Phoenix, and donated his salary, so there is always a warm feeling when watching him. For example. Antonio Banderas did have the gravitas and managed to... insinuate at least.^^ And watching that scene with the girl on stage in the theater, totally unprepared was something else. There was no sound in the theater. NONE. Absolutely breathtaking.

Now QotD of course... (the movie). Where should I start *laughs*. I said it before, but maybe the best thing that came of it was Sam getting into the VC through it. The worst was probably Armand there, lol. Not sure if he ever says anything in the theater cut (I know there were scenes cut), but... just...

So yeah.

Show characters and show have taken over^^. Will continue to take over, too, I bet. I cannot wait.

[thereisnolumos]

I can't decide between 4, 6 or 7 which is the worse ron. Honestly can't. 6th year ron strings Hermione along knowing they like each other, but purposely goes for Lavender. Than gets annoyed with Lavender by the end, and instead of dumping her he says Hermione's name. All while getting annoyed with Hermione for going out with that Cormac guy. 4th year he gets jealous that Harry is in a life or death situation and abandons him, ruins Hermione's first dance and date. Used Hermione as a last resort for a date to the yule ball, and got annoyed with her when she already had a date and assumed no one asked her. Or 7th year, made promise to stick with Harry during Horcrux hunting but fucked off when it got too hard. Got jealous of Hermione and Harry, only liked Hermione as a sorta prize to be won to prove he was better than Harry, than came back like everything is ok with a bullshit apology.

Ron gets progressively worse the older he gets

He treats Hermione like shit from the beginning, when they become “friends” he always treats her as if her time and attention is owed to him, like she’s supposed to always be there. It starts small with “Hermione will always give me homework to copy” and progresses to “She’ll be available for the Ball when every other girl will reject me” and “She’ll wait for me to want her in a relationships” as he ages.

Also, Ron is the epitome of “weaponized incompetence” and it’s infuriating to me how many times he uses it to get Hermione to do smth for him/instead of him.

Ron is extremely jealous of EVERYONE around him. And this trait gets progressively worse with his age too. In book 1 he is envious of Harry’s new broom, but he’s still capable to be happy for him as well. By book 4 he looses all traces of empathy and compassion and is envious of smth Harry 1) clearly had nothing to do with and everyone with brain would be able to tell, 2) could literally result in his death and it was stated EXPLICITLY many times. But all he sees is “Harry is the center of attention again” and treats him like shit for it. Not once was Harry ever happy or seeking for any sort of fame or recognition, especially considering WHAT he’s famous for.

Also in Book 4 he’s angry and feeling betrayed by Hermione HAVING A GOOD TIME. He’s threatened by someone else being in her life at all, someone she clearly likes and interested in. Because how could it be, that she dares to spend time with anyone else! The traitor! Honestly, I would’ve punched him square in the face for the shit he poured on her at the Yule Ball.

I consider him “sticking with Harry” in book 5 to be 1) I just screwed up, I can’t again or this time it’ll be for good and I can’t manage on my own bcs I’m that useless, plus 2) it’s us against the world! Harry is finally on the other side of famous and it’s so cool. Maybe not entirely conscious on his part, but I do believe these were the reasons for him, similar as they were in Book 2

In book 6 he’s truly shown to grow into a misogynistic asshole. He slut shames his sister for kissing a boy (if I recall he started doing it in Book 5, bit in 6 he’s off the rails with it), he once again shames and guilts Hermione for being asked out by someone else, he uses Lavender to get back at her (Lavander deserved so much better from the narrative overall, but we already established that JKR hated women). And he treats Lavander like shit through all of it! Ronald Weasley is the asshole of a first boyfriend that you drag through mud with your girlfriends for years to come because he was THAT HORRIBLE

And then the ultimate abandonment in book 7… if the writer would be even slightly better, he wouldn’t have returned and these would be a good arc of “not all friendship survives the hardships, or even just time. Not all friends will be with you forever”. Which is an important message for young people, because everyone always believe that they’ll be best friends forever for the entire life but it so rarely works. And it’s normal, that it doesn’t. There doesn’t have to be a grand betrayal or falling out, sometimes your paths just lead you to very different places. Ron didn’t betray them in the sense that Peter betrayed the Marauders (which we still don’t have any real reason for by the way. She just wrote that it happened with NOTHING supporting it backing up that plot), he didn’t switch sides. He just left. Because while Harry and Hermione understood the reality and graveness of war and their situation, Ron still treated it as “an adventure”, he “played in war” if you will. Many like to claim that “it was all the horcrux that he was wearing! It made him feel this and say this!” - both Hermione and Harry wore it too. Even longer than Ron, who didn’t wear it while his wounds healed. The horcrux didn’t put these thoughts in his head, it played off of what was already there. Did it exhilarate and magnified it? Yes, of course. But it was all already in his mind before he ever put the locket on. All of these thoughts and tendencies could’ve been found throughout all other books. And that’s why I never bought into his return, it didn’t feel organic with the rest of the story. It made no sense. She put it there simply bcs she decided that “trio must remain” and that Hermione will end up with him, for some reason that is beyond my understanding

[edmcmayonnaise]

WIP/word game

Tagged by @deadtwinksdetectiveagency, a true legend among legends and wonderful writer and artist!

Rules: you will be given a word. share one sentence/excerpt from your wip(s) that start with each letter of that word. my word is HERO!

H - Very, very rough draft from part of my Simon Redemption AU, in which Simon meets the Cat King for the first time.

“H-hello, your… your majesty.” Simon lowered his gaze in deference, unsure what level of respect to give a member of self-proclaimed feline royalty but not daring to offend. It was the right course of action, because the Cat King's teeth glinted into a wide smile, “Ooh, enchanté!” He offered the back of his hand, willing Simon to kiss his ring. “Behave yourself, if you please.” Edwin warned. “Now don’t be jealous,” the Cat King soothed, before whispering loud enough for all to hear, “Nothing to worry about. You’re still my favourite.”

E - From another part of my Simon Redemption Arc AU, in which Charles has just recently learned exactly what part Simon played in Edwin's death.

Edwin, fingers aligned into a thoughtful triangle resting against his chest, hummed and headed towards the cupboard, leaving Charles and Simon alone.  “Just because he forgives you doesn’t mean I gotta, does it?” “Charles,  I… I. I-I.” Simon, stuttering through his response, paused long enough to steady his voice. “There is no excuse for it. For what I did.” “You’re right,” Charles’ eyes were flat with anger. “There’s not. So I’ve got my eye on you, yeah?”   “I promise, I–” “Save it. Don’t wanna hear it.” It was then that Edwin exited the cupboard, small stack of blue books in his hands. “Here we are, Simon–” Immediately, he stopped, “Charles? Is everything quite alright?” “Aces, right, Simon?” Charles’ tone dared Simon to say otherwise.

R - From an untitled Simon story set in 1916.

Really, they’d learned alongside each other in the same classrooms and slept in the same dormitory row for the past three years. But there was something about how this particular afternoon’s light illuminated the boy as he smiled just ever-so into the pages of his book.  Edwin Payne always had a book. Always. Never looked up from it. It made Simon weak to think of being read so intimately by this boy. To have his full attention.

O - Yet another rough scene from the Simon Redemption Arc AU. Despite the story focusing on Simon, endgame here is Charles/Edwin, because, of course it is and will always be, for me.

“Oi, look at me, will you?” Charles held Edwin’s shoulder, tightening his grip, grounding them both into the moment. “You don’t owe me anything… it’s just…” Edwin, resolve crumbling under the quiver in Charles’ voice, looked to meet his best friend’s eyes. The night lights of Oxford Street reflected true concern. He had so often been lost in the depths of those eyes, and Edwin felt their gravitational force once again pulling him in. “Edwin,” Charles bent in slightly, making sure there was no where else for Edwin to focus his attention, “you mentioned something earlier and I, well, it’s been bothering me all day. You asked Simon a question about his brother’s book. What did you mean by that?” There was no avoiding the subject now.  “Ah,” Edwin sucked his breath, lips twitching as he drew them into a straight line. He tilted his head as if considering something before continuing. “Yes. It was Simon’s brother’s book which contained the ritual which summoned the demon that took me to Hell.”

The word I choose is: DEAR.

I tag: @petesdragon, @asnottoldbyginger, @painehell and @bbcphile!

[kiwiana-writes]

Ok I was gonna try to give you rein to talk about Dr Who AU or Fae Henry but people asked about those SO please choose a fic you’d love to say something about (or talk about them anyway lol)

Because it's you, let's talk about A Prince in the Pâtisserie aka the RWRB/The Pairing crossover! This does have the honour of being my least kudosed RWRB fic -- even Pankakke has it beat -- but I get it, and I'm totally not mad about it. Like you, Sara, I was lucky enough to get my grubby little mitts on an ARC of The Pairing and it. is. phenomenal. CMQ's best work yet imo. But as it's not actually released until August, I was definitely not expecting swaths of readers to immediately dive into this one.

VoiceTeam, which is a multifandom podficcing challenge, has ten challenges every round (all of which are optional; you can earn your points across all ten challenges or by doing one repeatedly, or anything in between), but they also have a mod dare each round. For round two of VoiceTeam 2024, the mod dare was "I dare [each team] to complete all ten Round 2 challenges using a fandom that has 20 or fewer fics total on AO3." And, well, I definitely had it in my head that I wanted to write fic for the characters in The Pairing at some point, and zero IS less than twenty...

I was, however, REALLY REALLY mean to @amanita-fierce with this fic -- they'd already volunteered to podfic it once I wrote it, and I... was not as cognizant of that as I perhaps should have been when I included some French. Whoops.

(And then some OTHER REALLY COOL PERSON also wrote The Pairing fic and I podded that and now there are FOUR fanworks in the tag and oh my god it's so exciting I can't wait for everyone to read this book.)

[Fanfic Writers: Director's Cut]

[torchstelechos]

Hi I’m curious what exactly do you mean by bingmei being extremely good at communication? I haven’t read sv in quite some time and don’t remember many of his interactions with anyone other than sqq

Oh goody, I have validation to discuss this! First and foremost, I am studying western communication so I will be doing more general explanations when discussing theories. Second, the translated work I will be discussing is the Scum Villain Self Saving System; Seven Seas Entertainment translation. This is for clarification purposes on examples I will be using to explain what I mean. As for person being studied, I will only be discussing Lou Binghe's (Bingmei for the majority) communication style.

Alright, first off we will be discussing how Lou Binghe speaks to others. This is important because not all communication is *verbal* communication. Going in a chronological order for LBH's communication towards SQQ we see a very specific communication verbal style. LBH uses I-messages (or owned messages) to specifically state how he feels and how he hopes to fix or continue this in the future. Not unusual for students to use towards their teachers, as this is polite to do. However we can see that this continues even as LBH get's angrier with SQQ.

In the very first meeting, SQQ asks how LBH is doing with his cultivation and LBH says, "This disciple is stupid and still...failed to understand." (pg. 30, book 1) which is a perfect example of the I-message set up LBH has. "This disciple" is a statement of possession in his wording, what he is saying is that this statement is true of his own knowledge. "is stupid" is the modifier of this statement and "failed to understand" is the content. Essentially he is purposefully giving a statement that is non aggressive in communication theory of interpersonal relationships. Later, during the carriage incident before the Skinner Demon arc LBH also gives a non-aggressive statement towards Ming Fan "I wouldn't dare" (pg. 53, Book 1). This being another I-statement (added as it is known that SQQ is watching).

"Ning Yingying-shijie went with me to the city's market earlier today, Luo Binghe said. "Once evening fell, I urged Shijie to return, but she refused--then somehow she suddenly vanished. This disciple...searched the entire street once but couldn't find her, and he could only come to plead with Shizun for help."

This is another good example of said I-message use, LBH (even panicked) starts this by explaining the I-message owners (the people who know this info) and says "Ning Yingying-shijie" and "me" in a non aggressive statement opener. By then continuing to explain the situation and modified the information by his own feelings on the matter. By stating that evening fell and that she vanished, he is giving information (content) to SQQ but modifies it by stating that LBH "urged Shijie to return" and "searched" and "plead" he is modifying the information to suggest that he did his best and needs help in a non threatening manner. Another example of this is during the Skinner incident aftermath, where LBH asks SQQ if he may know the reason SQQ used him as bait. Upon given the promise that he would not die, he states, "If this disciple could give up his life for Shizun, it would be an honor." Once again this is a modified statement meant to be nonthreatening in communication theory. Now that we have gone over this era of LBH, lets jump to Meng Mo to explore the Dream sequence verbal communication.

A slight variation from the previous Communication! This era of LBH has made an assumption over SQQ's past actions and now is a tad looser than previous communication events. Instead of being timid with his questions, LBH specifically asks every single question he can to SQQ to verify whats happening and to gather more information. He continues, however to use the same I-mesage format for most sentences towards SQQ. Any and all variation of these statements are towards enemies (Sha Hauling's Demons, and Meng Mo) and when SQQ is harmed. LBH will give more aggressive statements that *demand* information, but rarely does he insult or do anything more aggressive than that in speech. The only times he has done so at this point are in defense of SQQ's life, as at that point he had been under the assumption he was dying. Skipping waaay ahead lets discuss verbal communication in the Abyss scene, as everything up to this point is very similar and does not have an emotional charge to it that would suggest a change in speech.

Noticeably, his speech pattern doesn't change but we get a new message type in this! A you-message are usually aggressive in communication style as you are stating something about someone else that might not be true, however in this instance it is a true statement. Probably implying that LBH would not have stated such a thing if he was not sure of what he was saying about SQQ. He states, "But Shizun, you said before that just as people can be good or bad, demons can be good or evil" which is a you-message with the content being people and demons with modifier being good, bad, and evil. Hes basically using past words to clarify an assumption in this instance, which isn't necessarily a wrong thing to do but there are better ways to ask this. He even continues this by saying, "But you said..." at a later part. Ending this scene he says, "Shizun, do you really want to kill me?" all around this scene is a rather good example of what I mean by LBH being a good communicator! Hes sticking to asking clarifying statements, and using I-messages to explain whats going on. Not only that, but hes not in the wrong for this scene and doesnt know that SQQ is agreeing with him in his mind. (pp. 248-249, book 1).

Lets skip to the next book and discuss the Jinlan City incident. Which I can say with immediate disdain, is when Xin Mo comes out to play in LBHs speech patterns. Before the abyss, LBH used a lot of I-messages and only stated things he knew to be true about himself (what he felt) and what he knew about others (information shared or told to him by said individual). Afterwards, due to both Xin Mo and trauma, we have an individual who uses a lot more you-messages and makes a lot more assumptions about individuals around him. He still asks a lot of clarifying questions/statements however, and even makes some of his more aggressive you statements tilted in such a way that SQQ could deny it.

Examples of what I just said appear in the chase scene: "No, I should say, a relentless hatred towards me." (pg. 54, book 2). and "Does Shizun honestly think that I would kill, burn, massacre cities, and inevitably topple countries just because of that half of my lineage?" (pg. 55, Book 2)

Its also the first time we get something new new from LBH, he starts insulting people in book 2! Towards SQQ he says, "Utter hypocrisy!" which is a major first for a lot of LBHs speech patterns. If he did insult people before this, he did so in a polite conventional way (email style lmao). Speeding up to get to the prison scene, there are more notable moments in the accusation stage where LBH continues to use more you messages to state what he does know about SQQ. This reads more along the lines as a defense, and a way to subtly imply that he wants to make sure he wasn't misunderstanding SQQ previously. As all you message statements he uses tend to be more questioning in nature (unless about how LBH was treated or taught by SQQ specifically).

In the prison scene, LBH states direct facts to LPM (its in a month, what are you doing, etc.) while towards SQQ he asks more clarifying questions about why he did what he did and what he wants. Its only after being refused answers that he reverts back to using more I-messages. "I knew the answer, but I still asked Shizun. I'm so stupid." (pg. 100, book 2) (Again with the stupid comment, it would appear to be a theme).

In the confrontation on rooftop scene, a tad too long for me to quote if we wish to get to emotional bids and nonverbal communication in this post, LBH is spitting mad and Xin Mo is active to an absurd degree because of backlash. This also has an affect on LBH! (something I will continue to point out because I am losing my mind over fanfic after fanfic acting like LBH is always yandere girlfriend mode 24/7. Hes not!!! Its literally Xin mo!!) He states his feelings over his past, and what he felt towards SQQ at that moment in mostly aggressive style communication. This being a lot of yous and a lot of accusation speech. This leads to the explosion and Xin Mo being cleared from LBH. He almost immediately starts using only I-messages again and clearly goes into shock, but he does revert back from you messages at this point.

Ironically, I found that when LBH is talking to himself (presumably) he only uses you messages because he thinks hes talking out what he knows to himself. As such, he does not worry about being polite at all before he kisses SQQ in his dreams. Its only after that he uses an I-message towards SQQ, and its more or a clarification statement. At around this point in the novel we get a healthy does of what a stable Xin Mo carrying LBH, and its someone who uses equal amount of you and I messages.

Going to book 3, we'll just go over his ending monologue/breakdown because. Listen, we're a few pages into this and I highly doubt anyones going to read this far. I feel like Peerless Cucumber absolutely wailing about PIDW latest chapter, this is an absurd post.

Anyway, towards absolute desolation, we will start discussing this segment with "Is that so? But I don't trust Shizun anymore." (pg. 287, book 3). Almost every line in this segment is a picture perfect communication breakdown on what and why LBH feels the way he does in an interpresonal relationship. He specifically states how he feels about SQQ, how this happened, why this feeling specifically, and what this means for them now. He then states how he feels about himself, and why! This is very important, because this is the basis of solid verbal communication. LBH even states how they can continue and how all this can be fixed. Of course, none of this is healthy but hey! It's theoretical good communication, not healthy communication (the major issue I see in this fandom is differentiating the two). It's after this last breakdown that he defaults to I-messages for the majority of the Ridge arc. It becomes more childish as time goes on, I will admit, but Xin Mo is full influence on LBH at this moment in time. It's after the papapa to save the world that we see something interesting, LBH goes back almost fully to just I-message speech pattern. This is notable because this is after everything intense happened and he has had time to think it over. Before now, when left to his own devices and forced to reckon with SQQ almost dying he would revert to you-message centric speech patterns but this is after Xin Mo. Since this is no longer a factor, LBH has taken to falling back towards his disciple era speech patterns. Basically, LBH has begun to take on a healthier and theoretical amazing communication technique because this is forcing SQQ (and others) to acknowledge the scenario and feelings of the matter.

Now getting onto Emotional bids! This is something LBH does almost the entire three books, any and all times LBH has stated "Shizun" by itself was an emotional bid. (emotional bids being an act or word usage to get your relationship pattern to acknowledge you or to showcase that they care about you). It's important to note that LBH's main way of emotional bids is verbal, he almost never goes the physical route for emotional bids. Yes, he does use physical means to make SQQ pay attention to him but this is more along the lines of staying in the conversation than acknowledging LBH specifically as someone SQQ cares for. Its only during the hand holding time that LBH uses an emotional bid in such a way, its also why it hurt LBH a lot more when SQQ seemingly turned away from it. Of LBH and SQQ, LBH uses the most emotional bids and lets SQQ respond to them in anyway. SQQ is, however, an idiot and doesn't notice most of them or actively misreads them. Its actually funny how many times I can count an emotional bid that SQQ ignores in a chapter (more than 10).

Nonverbal communication, ah how I hate thee in this instance, it covers 60-90% of human communication. LBH is more of a verbal communicator but also does use haptics and proxemics to communicate. Touch and distance, he uses these to insinuate different scenes and feelings on SQQ as a whole. Basically, LBH uses verbal communication to clarify but uses touch and distance to set tone for this communication exchange.

Now, what does LBH do wrong in communication? Strangley enough he does one thing very wrong despite the fact that he asks for clarification communication a lot. He mind reads (the act of assuming what someone is thinking) a lot because of the mixed signals he gets from SQQ. SQQ lacks the ability to verbally communicate certain things because of the system, this makes LBH have to decode a lot of nonverbal communication in hopes of understanding things. He fails. A lot. This is fair to him, but this is the main problem that facilitates the miscommunication of the entire series. Both LBH and SQQ think they know the other better than they do, and thus lead to problems when they actually do try to communicate with the other. Frustrating! I know!

TLDR; LBH as a whole is a theoretical good communicator with a slight assumption problem, but I didn't say that its healthy communication :3

[mermaidsirennikita]

ARC REVIEW: Wake Me Most Wickedly by Felicia Grossman

4/5. 4/9/2024.

Vibes: older woman/younger man, Snow White retelling, Jewish historical romance

Heat Index: 6.5/10.

Sol Weiss is looking to live up to the example (and expectations) set by the half-brother who raised him--and that means marrying the right woman. The right woman is NOT Hannah, with a shady past and a shadier lineage. But after she rescues Sol from an attack, he can't get her out of his head. And the more she tries to stay away, the more he wants her...

If you're looking for something light and fun--though not at all silly--with a good dose of interclass conflict and a rough around the edges heroine, this is for you. It's not often that we see heroines who are a) older than their heroes, which Hannah is and b) the more "dangerous" one (in theory) in the couple. At the same time--though Sol is funny and sweet, he's not a milquetoast. Seriously, how could he be with Hannah if he was?

It's like... a feel-good book, but not without stakes. Which is what I think Felicia Grossman is starting to specialize in. With, of course, a strong focus on the 19th century Jewish community in England, which--how often do you see that in romance, despite it being a huge part of the era.

Quick Takes:

--You often do see heroines who have a bit of an edge, but it's less often that you see them actually do things that make them seem more worldly and, dare I say, competent than the hero. Hannah is introduced here as someone who has a lot of responsibilities, doesn't shy away from her sexuality (but also, you get the sense, has never really had someone truly care about her needs), and isn't above committing crimes.

And then... she saves Sol. It's not that Sol isn't competent--more that he doesn't have as much life experience as Hannah. Which tracks, as he's literally younger than her and also comes from a more sheltered background. But I wouldn't say he's spoiled. He's willing to learn. He's eager to learn, really (in every way... yay, a hero who's less experienced in bed than the heroine!).

Sol is a good dude, but as I said before, he's not a boring dude. He wants to do the right thing, but Hannah quickly becomes his priority. Also, he does crochet at one point, and I did find that delightful.

--To be clear, I am not Jewish, and my understanding of Jewish customs and history is superficial at best. But it's clear that Grossman has done her research regarding the era, and I really appreciate that her characters' identities are woven in to the fabric of their beings. Like, there isn't a Very Special Episode Where We're Reminded That The Characters Are Jewish (which I've seen happen when writers who aren't Jewish write characters that are). It's just always there.

--One thing I really liked as Sol and Hannah's relationship progressed was the way that he clearly started to take care of her. I love an independent heroine who takes care of people (Hannah does not have a kid, phew, but she does have a sister she's trying to set up for a better life) and resists the hero trying to care for her. That's done really well here. Sol is like, mildly outraged that this woman doesn't have people looking out for her, and it's very sweet.

--This is a Snow White retelling! There are nods to elements like the Seven Dwarves. I don't know that I would call this a particularly heavy retelling, and I'm not sure that the retelling element was super necessary? But it was cute.

The Sex:

There are several sex scenes in this one, all of which are good, and they usually revolve around Hannah's pleasure. Sol is not super experienced, but he's READY to jump in, and it's really great. In fact, their entire sexual relationship (which begins before the halfway mark, thank God) begins with him basically going "let me help you RELAX" which. Gold. He's a GOOD boy.

For the fans of a face-sitting scene.... There is a great one in this book wherein she is shocked! Shocked I say! And he basically goes "hold on to the bed frame I'm working here".

Anyway, this is a super fun, fluffy-but-not-TOO-fluffy read that gives you something beyond the typical hero/heroine dynamic (which I still love) along with a solid dose of heat. It's for the girlies (and not-girlies) who just want to go home after a long day's work and have our shoulders massaged, and also perhaps other things too. We love to see it.

Thanks to NetGalley and Forever for providing me with a copy of this book. All thoughts and opinions are my own.

Preorder here:

Amazon

B&N

Bookshop.org